Friday, July 25, 2008

History: Fiction or Science? (Chronology, No. 1)

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Review: Treading on sore toes?
The professional historians faint as prominent mathematician Doctor Fomenko et al research the known historical data and come to fairly controversial conclusions. For example, the English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. As the sign of recognition of the special role of the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben. The Russian historians brand it as pseudoscience because Dr Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by over two centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called `Tartars and Mongols' were the actual ancestors of the modern Russians, living in a trilingual state and aspiring Global Empire with Arabic and Turkic spoken as freely as Russian. The ancient proto-Russian state was governed by a double structure of civil and military authorities and the hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called `blood tax'). Their `invasions' were punitive operations against the regions that attempted tax evasion. Fomenko proves for a fact that official Russian history is a blatant forgery concocted by a host of German scholars brought to Russia by the usurper dynasty of the Romanovs. Their ascension to the throne was the result of conspiracy, so they charged these German historians-imports with the noble mission of making Romanov's reign look legitimate. Dr Fomenko et al prove Ivan the Terrible to be a collation of four rulers, no less. These rulers represented the two rival dynasties - the legitimate Godounovs and the ambitious Romanov upstarts. The European historians fume not only because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History but for asserting that all medieval European Kings and Princes were but breakaway vice-regents and vassals of the Global Empire who badly needed glorious and very `ancient' past in order to legitimize their new independence from the Empire. Dr Fomenko adds insult to injury, wiping out one by one: the Ancient Rome: the foundation of Rome in Italy is dated to the 14th century A. D., the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, the Ancient Egypt: the pyramids of Giza become dated to the 11th to 14th century A. D. and identified as the royal cemetery of the Global Empire, no less. The civilization of the `ancient'' Egypt is irrefutably dated to the 11th to 15th century A. D. following the breakthrough in decoding of the ancient Egyptian horoscopes cut in stone and painted on the temple walls. Arabic historians may find some consolation in the crucial historical role of the Ottoman Empire as a part of the Global empire in the 15th - 17th century. The trouble is that this Empire was initially a proto-Christian state, with Hagia Sophia identifiable as Temple of Solomon, but built in 1550-1557 A.D. by Sultan Suleiman according to Fomenko and Islam with all its key figures is datable to 15th 16th century A. D.! The Chinese historians are also an unhappy lot because Fomenko wipes out the Ancient History of China outright. No such history. Period. The compilation of the so-called Ancient Chinese History is reliably datable to the 17th 18th century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation. The Divinity excommunicates Dr Fomenko because the history of religions according to Fomenko looks as follows: the pre-Christian period (before the 11th century and Jesus Christ ), Bacchic Christianity (11th to 12th century, before and after Jesus Christ), Jesus Christ Christianity (12th to 14th century) and its subsequent mutations (15th to 17th cy) into Orthodox Christianity, the Catholicism, Protestantism, Islam, Buddhism, and so on..; and The Old Testament written after the New Testament in xiv-xvi cy A.D., if you please! Everybody served? Saint Augustine was quite prescient when he said: "be wary of mathematicians, particularly when they speak the truth."
Customer Review: Has history been tampered with?
Watch Video Here: http://www.amazon.com/review/RAZQNMXM4M9CL Has history been tampered with? Yes, it has! Did events and eras such as the crucifixion of Jesus Christ, the Roman Empire , the Dark Ages, and the Renaissance, actually occur within a very different chronology from what we've been told? Yes, they certainly did! The history of humankind is both drastically shorter and dramatically different than generally presumed. Why is it so? On one hand, it was usual custom to justify the claims to title and land by age and ancestry, and on the other the court historians knew only too well how to please their masters. The so called universal classic world history is a pack of intricate lies for all events prior to the 16th century. World history as we learn it today was entirely fabricated in the 16th-18th centuries. It's likely that nobody told you before, but there is not a single piece of firm written evidence or artefact that is reliably and independently dated prior to the 11th century. Naturally, after what you've learned in school and university, you will not easily believe that the classical history of ancient Rome, Greece, Asia, Egypt, China, Japan, India, etc., is manifestly false. You will point accusing finger to the pyramids in Egypt, to the Coliseum in Rome and Great Wall of China etc., and claim, aren't they really ancient, thousands of years ancient? Well, there is no valid scientific proof that they are older than 1000 years! The oldest original written document that can be reliably dated belongs to the 11th century! New research asserts that Homo sapiens invented writing (including hieroglyphics) only 1000 years ago. Once invented, writing skills were immediately and irreversibly put to the use of ruling powers and science. The consensual chronology we live with was essentially crafted in the 16th century by the Jesuits. The world history was compiled from contradictory mix of innumerable copies of ancient Latin and Greek manuscripts and other irrefutable proofs delivered by late mediaeval astronomers that were cemented by the authority of writings of the Church Fathers. Early in life, we learn about ancient history. Children love the magical lessons of history - they are like fairy tales. Teachers recite breathtaking stories; very soon We learn by heart the names and deeds of brave warriors, wise philosophers, fabulous pharaohs, cunning high priests and greedy scribes. We learn of gigantic pyramids and sinister castles, kings and queens, dukes and barons, powerful heroes and beautiful ladies, emaciated saints and low-life traitors. Ancient history is based documents, manuscripts, printed books, paintings, monuments and artefacts - called primary sources. The problem is that neither these ancient documents, nor events described therein can be irrefutably dated, moreover they contradict each other for the most part. When a school textbook tells us that Genghis Khan in year X or Alexander in year Y, have each conquered half of the world, it means only that it is so said in some of the written sources. There are no answers to simple questions: When were these primary sources written? Where and by whom were these sources found? It is wrongly presumed that ancient and medieval chronicles, written by Genghis Khan's or Alexander the Great contemporaries and eyewitnesses, are readily available. Actually, only sources written hundreds or even thousands of years after the events are there, compiled mostly in the 16th 18th centuries, or even later. As a rule, these sources suffered considerable multiple manipulations, falsifications and distortions by editing. At the same time, innumerable originals of ancient documents under various pretexts were destroyed in Europe under various pretexts. The names of persons and geographical sites often changed meaning and location during the course of the centuries. Geographical locations became clearly defined on maps only with the advent of printing. This made possible the circulation of identical copies of the same map for purposes of the military, navigation, education and governance tasks. Historians from Oxford say: "hey, everybody knows that Julius Caesar lived in the first century B.C. `Julius Caesar' statement is only a point of view as there is simply no irrefutable documentary proof that Julius Caesar or any other great name of antiquity ever existed. Better than that - extremely rare sources that can be reliably dated back to the 10th-14th centuries A D, do not show the polished picture of classical history. They show a picture both contradictory and confusing. All methods of dating of ancient sources and artefacts are erroneous: Radio-carbon C14 method produces dating with exactitude of plus minus 1500 years, therefore it is too crude for dating of events in historical timeframe! The Almagest tractate, which lies as corner stone contemporary chronology, compiled in the 2nd century A D by Ptolemy, the founding father of astronomy, contains astronomical data of 9th to 16th century! The Bronze Age,that has supposedly began 5000 years ago. Bronze is made of 90% copper and 10% tin, but the technology for tin extraction dates back to 14th century A D!. All eclipses contained in manuscripts, like Thucydides one, relating 'ancient' events have exclusively medieval dating. All horoscopes cut in stone or painted in Egyptian temples, like Dendera have exclusively early medieval dating solutions. Not quite what you have learned in school? Open your eyes, and, you will find sufficient proof to reach step by step the inevitable conclusion that the classical chronology is false and therefore, that the history of ancient and medieval world universally accepted today, is also false. Have a fresh outlook on everything said or printed about "ancient" and "enigmatic" Roman, Greek and Egyptian, medieval as well as all other "lost and found" civilizations. Antiquity and Dark Ages are phantoms invented in the 16th 18th and polished in 19th 20thcenturies. Human civilization is in fact barely 1000 years old! This book will change your perception of History forever! What if Ancient Rome, Greece and Egypt were invented during Renaissance? What if The Old Testament was a rendition of events of the Middle Ages? What if Jesus Christ was born in 1053 and crucified in 1086 AD? Sounds Unbelievable? Not after you've read "History: Fiction or Science?" by Anatoly Fomenko, the genius mathematician. Armed with astronomy and computers Anatoly Fomenko turns History into a rocket science.




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Reggaeton: Hot Latin Hip Hop (Apple Loops - AIFF, REX, WAV)

Over the past several years, reggaeton has emerged from the underground dance scene to storm onto the urban music landscape. Deeply rooted in reggae, dance hall, hip-hop, bomba and merengue, the reggaeton revolution has only just begun. "Reggaeton: Hot Latin Hip Hop" construction kits give you the power to create music with this scorching new Latin sound. Producer Josquin des Pres, along with his Track Star Studios team, once again calls on his vast experience in producing current Hip Hop and Latin music to deliver this authentic collection. So if you're ready to mix up your own brand of hot Latin flavor, turn up the heat with Reggaeton!


Imagine a backdrop of a vast ocean with surging waves for a grand dance called The Eight Immortals Cross the Sea. Or picture a fairyland landscape and palace for a dance called Grinding an Iron Pestle Down to a Needle. These are but two of the many classic creations used as a backdrop by NTDTV for its Chinese New Year Spectacular show playing at New York City Radio City Music Hall from February 14 17.

Tranquil artistic concepts from Chinese paintings and the magnanimous charisma of Western paintings are combined with a hi-tech application of traditional art, photo-electricity and projection used as backdrops. The combination makes for a rare delight of artistic performances. It is not surprising that the show ranked 7th on Billboard Magazines top 10 shows in Feb 2006 based on ticket sales for the 2006 shows at Radio City Music Hall.

Li Wencheng, head of the New England Monte Jade Science and Technology Association, said, The backdrop for the NTDTV Chinese New Year Show is indeed rather unique and the skillful application of projection and photo-electricity has to be the creation of an expert.

The backdrop makers of the NTDTV show have extended the effect of our backdrops to its extreme, noted Radio Citys Manager.

The enormous background screen used during NTDTVs Spectacular at Radio City Music Hall has the effect of bringing the audience into the performance. In a typical stage setting, it is difficult to create a multidimensional effect, even with a large number of performers. The space on stage has limitations, and stage props also often give people a feeling of things being faked.

However, when Soprano-Alto Yang Jiansheng sings a vocal solo, she stands alone on the stage with no accompanying dance or stage props. However, the magnificent backdrop makes the audience feel as though they are right in the midst of the performance.

For example, in the 2006 Chinese New Year Spectacular, throughout the show the backdrop kept changing along with each performance, from misty rain, pavilions and towers, to the water-bound country in south China to shining spears and armored horses and famous mountains and rivers; from green bamboo and red flowers and the change of four seasons to the sun, the moon, the stars and the auspicious clouds in the highest heavens.

Colorful events that took place in the thousands of years of Chinese history were replayed to perfection on stage. The design of the backdrops was definitely the creation of an expert. The backdrops did not use dominant color themes to supersede the performers on the stage. Instead, they provided a very logical and harmonious artistic atmosphere.

Audiences of all ages and walks of life are guaranteed to be impressed by the backdrops in the 2007 show at Radio City Music Hall. Whether for the artistic and technologically advanced use of the screen or the magnificent performances, it is a show you dont want to miss!

Yi Xin is a computer technician, an avid martial artist with a penchant for Chinese History. For more info about the NTDTV Chinese New Year Spectacular in your area, please visit:

http://shows.ntdtv.com

http://www.ntdtv.com

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Soundscan 08 - Jazz & Latin Drum Loops - V2 (Audio, WAV, Acid, AIFF, Akai, EXS24, HALion, MachFive, Reason 2, REX)

Jazz and Latino Drum Loops is full to the brim with classic jazz, samba, salsa and bossa rhythms that no programming will ever emulate. The Jazz section features essential ride patterns, with variations, sensational Jazz Breakbeats & brush loops. The Latino section ranges from the most intimate Bossa and the irresistible groove of Zouk to the flourishes of Samba and the rare Songo beats.


If you're browsing the internet in search of a satellite radio service for the US and Canada, then you need only check two websites: Sirius and XMRadio. These two giants are your only options and yet you'll notice striking similarities between the two websites' design, the product pricing and the programmer's stations.

Rumors have been flying around that Sirius and XM will form a ground-breaking merger this year, uniting all 14+ million customers under one banner. However, as of right now, you'll need to know what makes each slightly unique.

Country Music Fans may favor the XM Radio satellite service, which provides listeners with two extra stations - one focusing on Americana Country like Robert Plant or Blackfoot, and the other focusing on Folk Country like Tim Garrison and The Nitty Gritty Band. Both stations have country music from the 80s and 90s, new country, bluegrass and classic country.

Christian Music Fans may favor XM one. This service includes one more Christian music channel than Sirius - in addition to Christian Pop / Rock and Gospel, XM also hosts a Southern Gospel channel with Gold City, Greater Vision and The McKarneys.

Electronic Music Fans will prefer the Sirius service if they'd like a Breakbeat/Old SKool station, in addition to the usual Trance/Progressive stations that both satellite radio services provide. XM has exclusive rights to acclaimed BPM, but Sirius has a special Dance Hits station.

Rock Music Fans will probably prefer Sirius. While XM provides four different "alternative radio" stations, a punk station, a heavy metal station, a jam bands station, a college indie station and three classic rock stations, Sirius gives subscribers roughly 23 stations with everything that XM's service has -- plus New Wave, Glam Metal, Jimmy Buffet, Grateful Dead, Elvis, Canadian rock, UK rock, Garage, 60s Rock, 70s Rock and an additional punk/ska station.

World Music Fans will find that both service providers offering two French stations, but Spanish-speaking subscribers will find XM the better option, since they offer Rock En Espanol, Regional Mexican, Latin Pop, Latin Jazz, Hispanic Rhythmic and Spanish AC. Sirius, on the other hand, has only one Spanish music station for Latin Pop. Additionally, XM has a station for African and a business station in Italian.

Rap and Hip Hop Fans may prefer XM because their service focuses on more Soul and Funk, along with uncensored Hip Hop and Urban Contemporary -- unless they're big Slim Shady fans, in which case they may need Sirius Radio's Eminem station.

In some ways, XM Radio caters to the aging population with Good Morning America, Casey Casem's Top 40 Countdown, Theme Time with Bob Dylan and Wolfman Jack. On the other hand, Sirius Radio goes after the 20-somethings crowd with Bam Marguera, Howard Stern, Jamie Foxx and Tony Hawk shows. However, both satellite radio service providers are likely to give you something you can enjoy.

Sports Fans will find many similarities in XM and Sirius service options. For instance, both providers have ESPN, Nascar and NHL exclusives, as well as both college and NFL football. XM gives better golf / PGA Tour coverage and Fox Sports, while Sirius gives better NBA coverage. On XM, catch shows with Jimmy Johnson, Dale Jr, Coach K, James Carville, Luke Russert and Cal Ripkin.

With the Delphi SkiFi2 radio, you can get a sports ticker to show game scores on your display screen and the SportsCaster comes with 30 sports presets programmed in. However, Sirius gives you game alerts, 30 presets and lists all your favorite teams in one category with the Sportster and Streamer satellite radios. Additionally, get exclusive programming with Jerry Rice, Daryl Johnston, Randy Cross, Adam Schein, Shannon Sharpe, Ray Evernham, Tony Stewart, Rick Ackerman and Frank Isola.

Whichever satellite radio service you prefer, you'll be surprised to find that both are competitively priced at $13/month and most of the radio components cost from $20 - $200. However, which ever service you choose for now, you will still need to purchase a satellite radio receiver and luckily, most of the satellite radios will work in your home and in your car.

Get all the information you need on the satellite radio service providers from Mike Selvon's portal, and leave a comment at his satellite radio network blog.

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COLDPLAY Twisted Logic Tour - French Music Poster

COLDPLAY Twisted Logic Tour - French Music Poster 118x78cm


If you're like me, when you first started playing the drums you may have been a little concerned that your neighbors would call the police on you. Or worse, your family would stone you to death!

Some people just can't handle the volume, but don't worry, if you're just starting out, your dreams of becoming a great drummer can still come true.

There are some quick fixes to help keep your family, friends, and neighbors at peace while still allowing you to drum. Just follow these four solid drum tips...

1. Communicate

Typically, your family and neighbors are the ones who are most affected by your choice to drum. So, the considerate, and smart thing to do is have a little talk with these people and work out a way for everyone to agree.

Find out if there are better and worse times for you to practice your drums. Just never assume anything! Sometimes people can get really agitated about something, but just never speak up about it. You don't want any "silent enemies." These kind tend to talk behind your back!

2. Invest in Drum and Cymbal Mutes

Personally, I have a full shag carpet in my practice room. I even have it going half way up the walls. It does a great job of keeping the sound right there in my room.

But, if you're not interested in a shag carpet for whatever reason, consider investing in practice pads for your drumset. These drum accessories significantly reduce the amount of sound your drums and cymbals send out.

I'll be the first to admit that playing with pads isn't near as much fun as playing without them, but they sure make you appreciate the sound of your drumset when it's not muted.

3. Soundproof Your Practice Room

You really don't have to spend a lot of money soundproofing your practice room. like professional drummers do.

You can easily create your own soundproof room with some carpet scraps. I have already mentioned that I have a shag carpet on my floor and walls and it does an excellent job. The only time my neighbors hear me drum is if I open my windows, which I do sometimes on a rare occasion if I'm feeling a little assertive.

Anyway, carpet scraps provide excellent soundproofing! Go to your local carpet store and ask for some free scraps. Then, apply them on the walls and ceiling of your drum practice room. If these carpet scraps are really thin, then layer them.

4. Play Electronic Drums

An electronic drumset is not for everybody. In fact, some drummers just hate them because they say they are not really drums. The theory is, drums are supposed to be an acoustic instrument, and by plugging something in to an electrical outlet, it is no longer acoustic.

Whatever your theory is, if you live in a small space and have really no other way to keep your volume low enough to please everyone, an electronic drumset may be the best solution.

With the option to adjust the volume in your headphones, you can actually drum as loud as you want. It's just that you are the only one who can hear it.

Conclusion

The only thing louder than you on your drums are the people who are screaming at you to knock it off.

People will try to steal your fun on the drumset because they just can't handle the volume, which is understandable. Don't let anyone steal your fun! Bang on your drums all day, but bang on them using some consideration, and you can then bang in peace.

Danny Brown has been drumming since 1976, and is the author of "The Ultimate Guide to Choosing Drums and Cymbals!" Subscribe to his Free Newsletter and learn the mental aspect of drumming! Find out what it really takes to truly be a great drummer... http://www.dbDrumTips.com

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City of Men

As Seen on the SUNDANCE CHANNELFrom the team behind the Academy Award®-nominated feature CITY OF GOD including directors Fernando Meirelles (THE CONSTANT GARDNER) and K tia Lund comes the hit Brazilian television series CITY OF MEN a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva featured in the motion picture that inspired this series.The CITY is a shantytown located in one of the many mountains of Rio de Janeiro. The MEN are two 13-year-old kids Laranjinha and Acerola. This series brilliantly mixes humor and reality to explore life in the "favelas" and in particular the indomitable spirit of two best friends growing up in one of most volatile communities in the world.System Requirements:Run Time: 570 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 660200314125 Manufacturer No: PALMDV3141
Customer Review: Close to being brilliant!!
"If you die your son will be like us. Fatherless." From a film-makers point of view, this film is a daunting task. It has many characters but still grasps your attention. There are so many very good foreign language films nowadays. I thought Tsotsi was top notch and now, City of Men. I mean, wow! The characters in the film are young men involved in gangs, carefully woven in their anger and paranoid youth is a sense of dread and being doomed. Excellent drama. This is a must watch for anyone who's remotely interested. There will be a scene where you will laugh really really hard. There's a little kid in the film that you'll want to cuddle. You'll never want to live the character's life though. Also ... it actually made me think about something most men don't ever think of. It's about fatherhood. Before I become incoherent, I'll just end by saying, this film is going to do really well and is a must must watch. Thankyou for reading.
Customer Review: EXCELLENT FOLLOW-UP TELEVISION SERIES IN THE SPIRIT OF CITY OF GOD
This series does not follow the exact story or timeline as the movie City Of God but it takes place in Rio de Janeiro in the Favela. I was entertained and pleased with the acting, cinematography, and realness. I almost felt that I was there and I could have been there in my younger years.


If asked to name a piano piece that is near-perfect, one noted example comes to mind for many people. That piece is Clair de Lune by Claude Debussy. Clair de Lune, the third and most famous movement of Debussy's Suite Bergamasque, has entranced listening ears for over century. It has been the inspiration for many dramatic film sequences, as well as the song "When You Wish Upon a Star" from Disney's Pinocchio.

The son of a china shop owner and a seamstress, Claude Debussy began to reveal his brilliance at the age of seven when he started learning the intricacies of the piano. He soon attracted the attention of Mme. de Fleurville, whose son-in-law, French poet Paul Verlaine, would help inspire the piece with one of his poems. Verlaine was also acquainted with Frederique Chopin, as he was one of Chopin's pupils.

Debussy began his proper musical studies at the illustrious Paris Conservatory at the age of eleven. He spent twelve years studying under the giants of the age, stealing their secrets and arguing against the rigidity of the musical theory of the day. Debussy favored dissonance, which was a thorn in the side of his more strictly harmonious teachers. His love of experimentation, however, proved to be his greatest musical asset.

Early works by Debussy were heavily influenced by both his love of Richard Wagner's operas and his general distaste for the operas of Italian luminaries such as Giuseppe Fortunino Francesco Verdi, who was one of the reigning kings of the style. Though Wagner had been dead for several years before Debussy discovered his works, a cult had grown up around his music.

Wagner's influence was not to last, though, as Debussy's pieces tended to be more introverted than the extravagant Wagnerian sounds. He wrote his Suite Bergamasque, containing Clair de Lune, in his late 20s. As a sublime example of Debussy's sensual, quiet style, Clair de Lune may be perhaps his most lasting gift to the music world.

This lustrous piece was inspired, as were his earlier pieces, by one of his friend Verlaine's poems. Verlaine's poem "Clair de Lune" contains a reference to a bergamask, a clumsy dance performed by the natives of Bergamo. The French spelling of bergamask gives the entire suite its memorable name. The name "Clair de Lune," literally translated as "moonlight," is a perfect name, since the piece gives distinct images of moonlight with its rolling notes and glorious harmonies.

Played properly, Clair de Lune requires a technical mastery of sweeping left hand movements and modulations in intensity to reach its timeless quality of melodic and counter-melodic beauty. While the piece is played mostly pianissimo, its brief journeys into louder dynamic ranges present a need for a highly-developed knowledge of the keyboard. This, combined with the ability to re-interpret the feel of the music according to one's own personality, makes Clair de Lune music that has stood the test of time. It is a piece that is constantly evolving, living and breathing in the fingers of pianists the world over.

Duane Shinn is the author of over 300 DVD home study courses on playing piano, all available at "Piano Playing For Busy Adults".

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