Tuesday, August 12, 2008

Speed of Sound (Piano Vocal, Sheet Music)

SPEED OF SOUNDSeries: Piano VocalArtist: ColdplaySheet music.


As a composer, musician and teacher, it's very likely that I've heard most kinds of music over the years. However, I still love the music of the cinema and, in particular, old horror movie soundtracks (think Hammer Films, etc). Dracula music is a firm favourite!

Let's start with music by Philip Glass, composed for the 1931 Bela Lugosi classic film Dracula and performed by the wonderful Kronos String Quartet.

Glass's minimalist style lends itself well to this subject-matter. The album is modern sounding but with a kind of timeless chamber-music quality, and is a great accompaniment to a dialogue-only film.

The usual Glass fingerprints are here: repetitive ostinati, arpeggios, motifs and rocking two-note bass lines, but touched with tender, lyrical moments. To me (being a melody-man at heart!), it was these melodic moments which prevented this album from becoming too tedious. Don't get me wrong; I enjoy modern, dissonant music, but eventually I long for a damn-good tune and this album gave me something close to that.

Most of the 26 tracks are quite short (1-4 minutes) and, although eerie, are surprisingly tuneful. The string playing is excellent, as you'd expect from the Kronos gang.

Here are a few of my favourite highlights:

"Excellent, Mr. Renfield": an eerie piece with the expected repeated ostinato/riff but with loud scary moments when the quartet suddenly burst in. The ticking bass line keeps things moving and a great winding melody over the top completes the image of the fly-eating lunatic who lives in the asylum!

"The Storm": a violent start to the track, full of discordant harmony and very evocative of a storm. Pizzicato strings produce the rain and fast runs create an impression of speed.

"Horrible Tragedy": not sure if this is bi- or tri-tonal! Sounds like every member of the quartet is playing in a different key. I like its hypnotic qualities and simple short riffs.

"In the Theatre": a great haunting melody and easy chord progressions - reminds me of Phantom of the Opera for some reason!

"Renfield": a surprisingly beautiful and sympathetic sound for our resident madman! Very classical sounding with some predictable chord changes and two-note bass accompaniment, later moving into triplets. Very nice.

This is not the usual blood-spattered Dracula music, full of diminished chords and squealing strings. Yes, it can be repetitive, but Glass seems to be using a greater range of tone colours than usual and, for this style of music, I found it quite tuneful (although you'd be hard-pressed to whistle along with the CD!).

Perhaps the disc gets rather tiring half-way through: 26 tracks is a lot of minimalist music! I have to admit that I've not seen the film with this soundtrack, but I've heard that it complements the images perfectly, especially in 'Carriage Without a Driver', where the spinning wheels are clearly portrayed and the music invokes a sense of menace.

On the whole... I like it!

Alan Moore invites you to join his free email newsletter The Whitby Bite:
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The judges ranking and their score for the OD are in parentheses.

1) Belbin/Agosto (2, 67.54) It is quite ironic that after spending all season complaining bout how much I dislike this program that I am ranking it first at worlds. But I feel they were the clear winners of the OD. They attacked this program and nailed everything. I got a good laugh at the British Eurosport's commentators trying to find something about this performance to criticize and coming up with 'Their arms weren't always in perfect unison,' because if that is the biggest problem with any program, it was obviously skated fabulously. The Charleston and quickstep were arguably the best of the night, and their foxtrot was almost up to the level it was four seasons ago. The choreography still is not very good, but their performance overcame that and made you forget about the it.

2) Navka/Kostomarov (1, 68.67) This is by no means a bad program, but it is also not a great program. Both the quickstep and foxtrot were done well, but not amazingly so. Still, the transitions are 1000% better than they were a season ago, making this actually looks somewhat like a dance program, instead of a pairs program with dance elements. And how can one not give them points for their extremely original musical selection of "Sing Sing Sing"? But as neither the difficulty level nor the interpretation was up to the level of Belbin/Agosto's, they deserved to place second.

3) Chait/Sakhnovski (5, 61.19) After placing 3rd at the GPF in the OD, I was crossing my fingers that their placement would be the same here. Unfortunately, the judges failed me. They, unlike the teams directly below them, had great interpretation of the rhythms and skated without any mistakes. And their energy level, as always, was ridiculously high. Plus, their skating skills, while not quite as good as the skating skills of the very best in the world, have improved so much that they should challenge those other teams.

4) Denkova/Staviski (4, 62.79) Awkward OD interpretation, but thy did skate all out. Their skating skills - and the fact that they too did not mess up, held them above the other teams here. Still, this OD is very forgettable.

5) Delobel/Schoenfelder (6, 60.25) Had Isabelle not made a small mistake on the sbs footwork sequence, they would have been challenging the top teams. Unfortunately, she did. Isabelle has nice interpretation, and even Olivier seems less lifeless than usual. Plus, the choreography is superb. The only other problem is that they are slightly off-beat for part of the foxtrot.

6) Grushina/Goncharov (3, 63.17) This program has many of they same weaknesses as B/A's does, which should not be a surprise, considering it is basically the same program. (Morozov's creativity or lack there of has sunk to a new low for "his" programs for G/G this season.) But unfortunately for them, they do not have B/A's technical strengths and charisma. Elena is lovely as always; Ruslan is dull as always. And I'm still waiting for them to finish their sbs footwork. Somebody needs to go out and push them during any footwork sequence.

7) Domnina/Shabalin (7, 58.86) These two probably had the best foxtrot interpretation of the season. It was graceful, musical, and truly brought the classical foxtrot to the ice. They even made their dance spin seem foxtrot-y. The sbs footwork didn't seem very powerful, and their twizzles, while miles better than many of the other team's, were a bit shaky. The quickstep was okay.

8) Dubreuil/Lauzon (8,58.30) Argh. The foxtrot and quickstep sections were extremely well-interpreted and the whole dance was extremely cohesive for a combination OD. But the sbs footwork was a complete and utter disaster. It got messed up about 1/3 of the way through, and they never quite got it back on track. There was a little to much of time spent not touching each other. And their Charleston was a bit awkward in places. Plus, why are they miming holding umbrellas? Isn't the whole point of "Singin' in the Rain" that one is singing in the rain, and not covered by umbrellas?

9) Faiella/Scali (9, 56.13) Their stroking has improved dramatically. Their twizzles still aren't very good. And they didn't really seem to truly get either rhythm, especially the quickstep. But technically, it was a strong program, and they had good energy as always,

10) Wing/Lowe (10, 52.52) They start off with a nice, although slightly dull, foxtrot. And then they transition into a nice, but slightly dull Charleston. I normally really like this team, but this performance seemed to lack energy. They don't have the technical content of the teams above them.

11) Fraser/Lukanin (13, 48.82) Their speed and polished has dramatically improved. Very nice foxtrot expression. They spend a little too much time apart. They had nice musicality too.

12) Kerr/Kerr (11, 50.71) There's still a fairly sizable gap between her skills and his, although he has improved. They have nice foxtrot expression. Theirs twizzles in the sbs footwork was very messy towards the end. Their quickstep was fine, but not quite as good as the foxtrot.

13) Gregory/Petukhov (12, 50.22) I got the advice to only watch him, not her, and I enjoyed them much more than usual. Interpret that as you want. Of course, then I missed the mistake she made on the twizzles during the sbs footwork, which also lacked flow. Decent Charleston expression. Too much stroking in foxtrot section.

14) Kulikova/Novikov (14, 48.72) She did best with the quickstep, while he shone in the foxtrot. Second quickstep had very little traditional quickstep character. They had a slightly messy quality overall.

I did not rank the rest of the teams.

Hoffman/Elek (17, 45.34) They start with a foxtrot, which was absolutely lovely and really captured the rhythm. The quickstep was very good too, but did not quite work as well as the foxtrot. And somebody needs to teach Atilla to twizzle, because I'm sick of him messing those up, as he did on the sbs footwork. And then he had trouble lifting Nora on the final lift, although a portion of that can probably be blamed on her 472346 pound dress. But overall, this was a very nice OD.

Gudina/Beletski (18, 42.85) They start off with an enthusiastic Charleston. But the foxtrot was dull, with little difficulty. And unfortunately they could not pick up the energy level with the final quickstep section, to Dancing Fool of all songs.

Watanabe/Kido (15, 46.57) A very good and in-character quickstep. Diagonal footwork could flow better. Their foxtrot was good, but not quite as in character as the quickstep. He has some trouble with the last lift.

Grebenkina/Azronjan (16, 46.02) Great energy, and their movements are very dance-y and fit the quickstep well. Their foxtrot is to extremely odd music - just a rhythm and no melody. But they end with another well-done quickstep section.

Beier/Beier (20, 41.66) Very cute and charming, with a good ballroom interpretation of the rhythms.

Kauc/Zych (22, 40.92) Fabulous foxtrot expression. Twizzles during sbs footwork were messy. Basic skating is very good. This program lacked the falls that their programs usually have, but it also lacked the energy and attack. Their quickstep expression is also very nice.

Pechalat/Bourzat (23, 40.71) They start with a very charming and well characterized Charleston. But she takes a bad fall during the sbs footwork. Their musicality in the foxtrot was good, but the choreography wasn't very ballroom. They fixed that during a great quickstep section.

Yang/Gao (19, 42.67) Decent foxtrot. She hits a lovely position during the lift. She's very charming. Charleston is nice too. He looks to have trouble rotating the final lift.

Golovina/Voika (21, 41.57) They start with movements that seem to exaggerated for the more subtle foxtrot rhythm. But they still have good musicality and energy. Decent quickstep, but again the movements don't fit the rhythm very well.

Munana/Munana (25, 36.31) As sick as I am of Chicago ODs, this one was great. Both rhythms, especially the Charleston, were interpreted fabulously. Both skaters sparkled. They clearly do not have the technical ability of the top teams, but if they can ad technical content in the future, they most definitely will be contenders.

Akimova/Shakalov (29, 31.35) Very polished, but little else going for them. He tripped on the sbs footwork. Diagonal footwork is . Their musicality is pretty good.

Aureli/Vaturi (24, 38.66) They start off with a lot of dancing in place. They have somewhat poor ice coverage on the sbs steps. But they have a good understanding of both the quickstep and foxtrot. Unfortunately, they really lack in technical content.

Haunstetter/Hoenlein (27. 33.00) Chicago. Again. But they have a very good Charleston, and his foot position during the lift was fabulous. Ugly and out-of-sync twizzles. The rest of the sbs wasn't much better. They looked like they were skating two different programs during the sbs steps. He is terrific.

Buck/Nelson-Bond (28, 32.85) Good Charleston expression. Pretty good speed through diagonal footwork. She hits great positions in their lifts. Their weakness seems to be basic skating. They also had unison trouble on the sbs footwork.

Keller/Keller (26, 33.23) Really weird Charleston music. Decent musicality. Their program is very empty. They also lacked energy. Their quickstep expression was the best of the three rhythms.

Galcheniuk/Krupen (30, 28.14) Most of their skating is decent. Their programs aren't empty, and their musical interpretation is okay. Plus, they have nice energy. Unfortunately, nothing about their skating is anything better than decent, especially their basic skating.

Care to Ice Dance?
Competition Reviews

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All the members had to follow the principal of these associations. In 1948, Lawrence "Herkimer" Herkimer formed the National Cheerleaders Association (NCA) as a way to hold cheerleading clinics. Cheerleading is not an easy task so these associations started applying safety guidelines and offering courses on safety training for coaches and sponsors. They also help them in performing various stunts and gymnastics being incorporated into routines. For that various associations was formed to give them the knowledge and idea of cheerleading.

AACCA - American Association of Cheerleading Coaches and Advisors, founded in 1988, members of the association include youth, junior high school, high school and college or university coaches/advisors.

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Have you ever been at a party where all of your friends were dancing, or perhaps you saw one or more adults dancing? If you removed yourself from the picture entirely, the whole thing might look utterly ridiculous to you. However, there is something- some appeal when it comes to dancing that makes us want more. If you watch any of these music videos that are out nowadays, there is usually some form of dancing taking place. It makes you wonder how exactly music is tied into dancing. Does one need the other? What is the psychology of someone who loves to dance? And why is it that it only really seems acceptable (in certain situations) for females to dance over males.

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